Description Detail

Vol.18, No.1(2011-)(1) 
The Application of Chinese Characters Image on Fashion Design
漢字意象應用於服裝作品之探討
M. T. Lin, Y. J. Chen
林妙姿, 陳禹均
In the design field, the writing already becomes one of visual thought transmission important medium factors, unfolds the typeface design the writing art, is not only represents the development of the arts of human civilization, but also construction of human development, upgrading of the art of living, today's text have been fixed by thought, emotion raised to the performance of the transmission role of the aesthetic realm of art discusses from the Chinese philology, the typeface culture connotation, the glyph structure, the calligraphy system of various design performance, transformation of using the clothing form, guides us to understand the Chinese writing and the clothing interest innovation. Based on the elements of fashion design to explore the classification, summarized integration analyzed to understand what clothing series of unique clothing fashion elements, to sum up the clothing series through the various connotations of Chinese culture integration in the apparel color, contour lines, techniques, calligraphy images, expresses the characteristics such as fashion and detail design.
在設計的領域裡,文字早已成為視覺意念傳遞的重要媒介因素之一,將文字藝術加以展現的字體設計,不僅代表著人類文明藝術的發展,也建構人類發展生活美學的提升,現今的文字早已由思想、情感的傳遞作用提升至表現美學藝術的境界。本文以服飾設計師之服裝設計作品系列為例,從漢字字形結構等方面探討服裝設計元素,進一步了解漢字和服裝結合的趣味與創新。研究結果歸納出設計師系列作品透過漢字意象應用於服裝的顏色、輪廓線、設計技法、書法體表達等特徵與細部設計。
Chinese Characters, fashion design, clothing
漢字、服裝設計、服飾
Year Volume
2020 27.1 | 27.2
27.3 |
2019 26.1 |
2018 25.1 |
2017 24.1 | 24.2
24.3 | 24.4
24.5 | 24.6
24.7 | 24.8
24.9 |
2016 23.1 | 23.2
23.3 | 23.4
23.5 | 23.6
23.7 | 23.8
2015 22.1 | 22.2
22.3 | 22.4
22.5 |
2014 21.1 | 21.2
21.3 |
2013 20.1 | 20.2
20.3 | 20.4
2012 19.1 | 19.2
19.3 | 19.4
2011 18.1 | 18.2
2010 17.4